MUSIC
KID BE KID
The Berlin musician is an explosive firework. Well, whatever metaphors and superlatives one may use, and even if it is a much-described cliché: it is really very difficult to describe the music of this phenomenal artist with words.
Listening to KID BE KID while she is simultaneously singing and beatboxing, playing the piano and synths, is simply breathtaking. How does she do that? Where is this incredible power coming from? With such an somnambulistic certainty of style?
There are jazzy pianos, crispy R&B grooves, clubby sci-fi synth pads and electronic patterns, and on top: her expressive soul vocals. Now she is on a big European tour with her new album “Truly A Life Goal But No Ice Cream”, where everyone can enter her superheroine universe. So much talent in one person would hardly be bearable if KID BE KID wasn’t, above all, such a lovable funky freak!
ART EXHIBITION
Fee-Gloria Grönemeyer – LINE OF WORK
‘Line of Work’ by Fee-Gloria Grönemeyer is a video installation challenging societal stigmas surrounding sex work. Through intimate conversations with 25 sex workers from various cities, including Berlin, Paris, New York, and Bangkok, the project aims to unveil the individuals behind the stereotypes associated with their profession. The project delves into questions about the value of work, societal perceptions, and the autonomy of individuals in choosing their occupation.
Despite sex work being acknowledged as one of the oldest professions, it remains shrouded in misinformation and stigma. ‘Line of Work’ seeks to dismantle these misconceptions by providing a platform for sex workers to share their experiences, aspirations, and challenges. Many participants express a sense of fulfillment in providing care and pleasure to others, akin to professions such as nursing and social work. However, the continued marginalization of sex workers underscores the suppression of their voices in society.
Each participant collaborates with Fee-Gloria to shape their narrative, deciding how they present themselves and what aspects of their work they wish to discuss. The resulting videos focus on close-ups of the participants’ eyes or mouths, creating an atmosphere of intimacy and trust. By stripping away external distractions, Grönemeyer invites viewers to empathize with the individuals on screen, challenging preconceived notions and fostering a deeper understanding of the complexities of their work.
“Line of Work” confronts viewers with the humanity, prompting reflection on the arbitrary hierarchies of labor and the inherent worth of individuals in society. Through this powerful exploration of personal narratives, the project encourages viewers to confront their own biases and consider the broader implications of societal attitudes towards marginalized communities.
